Based on the title of this blog
post you can probably figure out what it is about. The Suite of Old American Dances
is a piece of music by Robert Russell Bennett. This year the Kennedy Wind
Symphony is playing it. This is a very difficult piece that is composed of 5
different movements. There is different stories behind each of the movements.
Movement one is the Cake Walk, this
specific movement is pretty difficult. It is very much up beat and fast. There
is many sixteenth note runs and trebelos. Trebelos are basically like trills
but not as quick, you quickly move back and forth between the two notes.
Movement two is the Schottische, this
movement is not as difficult as the first one but there are parts where it is
just as difficult if not even more so. At the beginning of the piece where the
flutes come in, we have to try to get 11 notes into one beat. That part is one
of the worst part of this movement. There is also a lot of syncopation, for
many musicians it is not all that hard, but you have to count in order to play
it correctly. Triplets are also a big part of this movement, they aren’t hard
and are actually quite fun to play, as long as they don’t jump octaves. This
movement is the only piece that is taken in four instead of two, which means
there are four beats to a measure instead of only two.
Movement three is the Western
One-Step, by the title of the movement you can kind of figure out what it is. A
western type piece. There are also a couple trebelos throughout the piece.
Although this movement is not very hard at all, and the rhythms are pretty
simple, the tempo is very upbeat and quick. This movement is the second fastest
movement of the piece.
Movement four is the Wallflower
Waltz, this is one of the slowest movements in the entire piece. The title
tries to hint at the meaning behind the piece. For example when you think of a
Wallflower you normally think of someone who stays away from the crowd and
usually sticks to themselves. Bennett throughout this movement tries very hard
to display that and to make the music sound like that. He makes the music sound
sloppy almost but the way he writes it, still makes it sound good, while attempting
to make it sound bad. It also involves an English horn, it is like a bigger
oboe so to speak, normally played by the first chair oboe player, who happens
to be Allison Kegel. Because of the style of the movement there are a couple
musicians who sit out, for example the second flutes.
Movement five is the Rag, this is
another quick song. This is the fastest song throughout the whole piece. But
there is something that sets this piece apart. This movement looks like it is
written in four, but is played in cut time. Cut time is when you make all the
notes half their length. All in all this movement is not all that difficult if
you start out playing it in four and then move into playing it in cut time. Because
starting out with playing it in cut time right off the bat is going to make it
way harder than it actually is.
All in all this is a very great
piece of music written by a great composer. Although this piece of music is
very difficult in a lot of places, it is a fun piece to play and is worth the
time put in. Because of how difficult many of the movements are it takes a lot
of practice time outside of rehearsal. The piece is a very fun piece to play in
front of an audience because of how upbeat and fun it is.
No comments:
Post a Comment